In an era where the demand for high-quality music in television is greater than ever, how do TV producers and music supervisors find the right sound? What does it take to get commissioned to compose music for TV — and why is it such a competitive field?
This panel will explore the evolving landscape of music in television, from the role of production music to the growing influence of AI. While automation is reshaping the industry, it’s not all bad news — authentic, original music remains a key driver in engaging audiences and fostering a diverse talent pool.
Join industry experts as they discuss:
- How TV producers and music supervisors source and select music
- The challenges and opportunities in getting commissioned for TV scoring
- The crucial role of production music in the industry
- Why AI is changing the game—but not replacing human creativity
- How authenticity in music attracts audiences and amplifies diverse voices
Whether you’re a composer, music supervisor, or industry professional, this session will provide valuable insights into the future of TV music and how to stay ahead in an evolving market.
Panelists: Paul Moore, operational lead for the BBC Public Service Music Rights & Reporting teams, BBC // Jenn Egan, Music Supervisor // Mara Deuschle, Global Sync Manager, APL Publishing // Steven Tallamy, Chief Operating Officer, EWH/Music Sales
Moderator: Joe Berman, music supervisor & CEO, MedieHorse / SongHub
This session is part of the theme block Let's Talk K-Pop & Publishing.
The session will be conducted in English.
Presented by The Danish Music Publishers Association in collaboration with Promus and SPOT+.