Meet The Music Supervisors
Get the opportunity to meet up with the brightest minds in art of music supervison
When the end credits roll and the first piano notes resonate through a dark cinema, a single song may have helped transform a scene from good to unforgettable. Think of the fragile, off-kilter soundscape in ‘Poor Things’, the raw nerve of ‘I May Destroy You’, or the pop-cultural moments in ‘Sex Education’. Music is not just background – it is character and emotion, supporting the director’s storytelling.
At SPOT+ 2026, a strong delegation of international and Danish music supervisors will gather – the key creative players who match the right song with the right scene. They are behind global brand campaigns, award-winning films, and trendsetting series, and now they are sharing their knowledge, experience, and networks with the industry at SPOT+.
As part of SPOT+ 2026, music publishers, record label professionals, and managers are invited to apply to participate in Meet The Music Supervisors, an exclusive speed-meeting format where selected applicants will have the opportunity for short, focused meetings with both international and Danish supervisors who have a concrete mandate to find new music for film, TV, and advertising.
Meet The Music Supervisors takes place on Saturday, May 2, from 10:00–12:30 at Godsbanen, Aarhus, as part of SPOT+ 2026. If you are selected to participate, you must purchase your own conference ticket.
Applications must be submitted via the form HERE. The deadline to apply is March 13, and all applicants will receive a response no later than March 27.
Meet The Music Supervisors is presented by Danish Music Publishers Association and supported by Koda Kultur.
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Music Supervisors at SPOT+ 2026
Step into the world behind the magic of music on screen. These music supervisors have created soundtracks that bring films, series, and commercials to life – and you can meet them at SPOT+ 2026.
Anne Booty
With more than 20 years of experience in the industry, both as an artist and supervisor, Anne Booty has worked on high-end campaigns for global brands such as Jaguar and Nike. She supervised the score for Yorgos Lanthimos’ film ‘Poor Things’ and is behind the music for his latest feature film ‘Bugonia’, nominated for both BAFTA and Academy Award.
Brienne Rose
Los Angeles-based music supervisor and founder of Noise/Racket, Brienne Rose is known for crafting powerful, emotionally driven soundtracks for film, TV, and advertising. Named by Vice Media as one of Hollywood’s most promising music supervisors, she is behind music for series such as ‘Emily in Paris’, ‘Russian Doll’, and ‘Never Have I Ever’, as well as more than 25 films and campaigns for brands including Spotify and Google.
Carmen Montañez-Callan
Carmen Montañez-Callan has specialized in music supervision for film and television since 2014 and has enjoyed 20 years of success placing music to picture and picture to music across film, TV, advertising, and music videos. She has worked across fiction drama, factual drama, non-fiction entertainment, feature films, and documentaries.
Cecilie Karpinski & Emilie Skovgaard Sørensen (GLUE)
GLUE is a Copenhagen-based music supervision alliance founded by Cecilie Karpinski and Emilie Skovgaard Sørensen, who joined forces a year and a half ago, combining their experience from the music and film industries. Together they have worked on more than 50 projects across film, TV, and marketing, including ‘Legenden’, ‘Carmen Curlers’, and ‘Mr. Nobody Against Putin’.
Francesco Menegat
Italian music supervisor Francesco Menegat began as a musician before specializing in publishing and sync at Operà Music. Today, he supervises music for commercials, film, and television, working with both commercial tracks and original scores across the European market.
Jesper Gadeberg
Award-winning independent music supervisor Jesper Gadeberg is based in Copenhagen and specializes in advertising films with a strong focus on musical ideas and tone. He has worked with directors such as Jonathan Glazer, Michel Gondry, and Martin de Thurah, as well as agencies including Wieden+Kennedy and AMV BBDO for brands such as Dior and Guinness. He also lectures on music in advertising at festivals and universities.
Joe Berman
Los Angeles-based Joe Berman is co-founder of MediaHorse and has more than 30 years of experience in A&R, publishing, and licensing. He has secured music for global campaigns for brands such as Apple and Toyota, as well as placements with HBO, Netflix, and Disney, and is also behind the tech initiative SongHub.
Kle Savidge
With roots in Creation Records and a freelance career since 2000, Kle Savidge is among the field’s most respected supervisors. She is behind music for notable documentaries and feature films, including the Netflix series about Victoria Beckham and the upcoming film ‘My Mother’s Wedding’ starring Scarlett Johansson.
Krzysztof Sulenta
Senior Music Creative at MassiveMusic with more than 18 years of experience, Krzysztof Sulenta has created award-winning work for brands such as Netflix, Nike, and Samsung. He is known for finding the less obvious tracks that elevate a story without overpowering it.
Matias Flensborg
Danish music supervisor Matias Flensborg works with film and TV and runs a sync agency focused on exporting new Scandinavian music. He began by assisting on the production ‘Family Like Ours’ and has since supervised music for ‘Secrets We Keep’, ‘Ingen Kære Mor’, and ‘Scooter Boys’.
Marc Tanzmann
German music supervisor and head of Sizzer’s German office, Marc Tanzmann has worked for 16 years with brands such as Heineken, KIA, and Adidas, representing an award-winning full-service music agency with more than 50 international awards.
Matt Biffa
Emmy-winning supervisor with 30 years of experience, Matt Biffa is behind the music in series such as ‘Sex Education’, ‘Hacks’, and ‘Heartstopper’, and won a Creative Arts Emmy for ‘I May Destroy You’. He has also worked on ‘Harry Potter and the Goblet of Fire’ and curated iconic moments for the big screen.
Mikkel Maltha
Mikkel Maltha holds a Master of Laws from the University of Copenhagen. He began his career as a music lawyer and music supervisor at Zentropa in 1998, working closely with Lars von Trier on films including ‘Dancer in the Dark’, ‘Melancholia’, and ‘Antichrist’. Since then, he has supervised music on more than 100 film and TV productions, primarily within the Scandinavian film industry.
Sarah Bridge
Award-winning and Emmy-nominated music supervisor for film and television, Sarah Bridge is known for ‘The Crown’ and ‘The Theory of Everything’. She has also worked on projects for Netflix, Working Title Films, and Amazon, and serves on the board of the UK and European Guild of Music Supervisors.
Thore Garberg
Danish-Norwegian supervisor and founder of Orange Blue Supervision, Thore Garberg works across Scandinavia on film, TV, and advertising, including campaigns for IKEA and Volvo, and has supervised feature films such as ‘Handling the Undead’ and the Danish film ‘Vægtløs’.
Zoë Ellen Bryant
Inspired by the soundtrack to Baz Luhrmann’s ‘Romeo + Juliet’, Zoë Ellen Bryant pursued a career at the intersection of image and sound and has built nearly 50 credits since 2016. She has supervised series such as ‘Derry Girls’ and ‘Hijack’ and is known for her sharp ear, rights-detective skills, and uncompromising approach to clearances.
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SPOT+ 2026 will be a meeting point for those who understand that the right song can change everything. If you work professionally with sync – for example as a music publisher, record label professional, or manager – you can now apply to become part of Meet The Music Supervisors and connect with both international and Danish music supervisors. APPLY HERE
Meet The Music Supervisors is presented by Musikforlæggerne i Danmark and supported by Koda Kultur
Meet The Music Supervisors
Få muligheden for at møde de stærkeste navne indenfor Music Supervision
Når rulleteksterne toner frem, og de første klavertoner rammer en mørk biografsal, kan én sang have været med til at forvandle en scene fra god til uforglemmelig. Tænk på den skrøbelige, skæve lydside i ‘Poor Things’, den rå nerve i ‘I May Destroy You’ eller popkulturelle øjeblikke i ‘Sex Education’. Musikken er ikke bare baggrund – den er karakter og følelse, der understøtter instruktørens fortælling.
Til SPOT+ 2026 samles en stærk delegation af internationale og danske music supervisors; de kreative nøglespillere, der matcher den rette sang med den rette scene. De står bag globale brandkampagner, prisvindende film og toneangivende serier, og nu deler de deres viden, erfaring og netværk med den branchen på SPOT+.
Som en del af SPOT+ 2026 inviteres musikforlæggere, pladeselskabsansatte og managers til at ansøge om deltagelse i Meet The Music Supervisors; et eksklusivt speedmeeting-format, hvor de udvalgte ansøgere får mulighed for korte, fokuserede møder med både udenlandske og danske supervisors med konkret mandat til at finde ny musik til film, tv og reklame.
Meet The Music Supervisors finder sted lørdag d. 2. maj kl. 10.00-12.30 på Godsbanen, Aarhus, som en del af SPOT+ 2026. Hvis du udvælges til at deltage, skal du selv sørge for en billet til konferencen.
Ansøgning foregår via formularen herunder. Deadline for at ansøge er 13. marts, og alle ansøgere får svar senest 27. marts. Hvis du har nogle spørgsmål til ansøgningsprocessen eller speed meeting-konceptet, så kan du skrive en mail til info@spotfestival.dk.
Meet The Music Supervisors er præsenteret af Musikforlæggerne i Danmark og støttet af Koda Kultur
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Music Supervisors på SPOT+ 2026
Træd ind i verdenen bag musikkens magi på skærmen. Disse music supervisors har skabt lydspor, der får film, serier og reklamer til at leve, og du kan møde dem til SPOT+ 2026
Anne Booty
Med over 20 års erfaring i branchen, både som artist og supervisor, har Anne Booty arbejdet på high-end kampagner for globale brands som Jaguar og Nike. Hun har score-supervised Yorgos Lanthimos’ film ‘Poor Things’ og står bag musikken til hans seneste spillefilm ‘Bugonia’, der er nomineret til både BAFTA og Oscar.
Brienne Rose
Brienne Rose er en Los Angeles-baseret music supervisor og grundlægger af Noise/Racket, kendt for at skabe stærke, følelsesdrevne soundtracks til film, tv og reklame, og af Vice Media udnævnt som en af Hollywoods mest lovende music supervisors. Hun står bag musik på serier som ‘Emily in Paris’, ‘Russian Doll’ og ‘Never Have I Ever’ samt over 25 film og kampagner for brands som Spotify og Google.
Carmen Montañez-Callan
Carmen Montañez-Callan har specialiseret sig i music supervision for film og tv siden 2014 og har haft 20 års succes med at placere musik til billeder og billeder til musik på tværs af film, tv, reklamer og musikvideoer. Hun har arbejdet med både fiktionsdrama, dramatiseret fakta, ikke-fiktionsbaseret underholdning, spillefilm og dokumentar.
Cecilie Karpinski & Emilie Skovgaard Sørensen (GLUE)
GLUE er en københavnsk music supervision-alliance grundlagt af Cecilie Karpinski og Emilie Skovgaard Sørensen, som for halvandet år siden forenede deres erfaring fra musik- og filmbranchen. Tilsammen har de arbejdet på mere end 50 projekter inden for film, tv og marketing, herunder ‘Legenden’, ‘Carmen Curlers’ og ‘Mr. Nobody Against Putin’.
Francesco Menegat
Italienske Francesco Menegat begyndte som musiker, før han specialiserede sig i publishing og sync hos Operà Music. I dag superviserer han musik til reklamer, film og tv og arbejder med både kommercielle tracks og originale scores på tværs af det europæiske marked.
Jesper Gadeberg
Prisvindende, uafhængige music supervisor Jesper Gadeberg er baseret i København og specialiseret i reklamefilm med et stærkt fokus på musikalske idéer og tone. Han har arbejdet med instruktører som Jonathan Glazer, Michel Gondry og Martin de Thurah samt bureauer som Wieden+Kennedy og AMV BBDO for brands som Dior og Guinness. Derudover holder han oplæg om musik i reklamer på festivaler og universiteter.
Joe Berman
Los Angeles-baserede Joe Berman er medstifter af MediaHorse og har over 30 års erfaring med A&R, publishing og licensing. Han har sikret musik til globale kampagner for brands som Apple og Toyota samt placeringer hos HBO, Netflix og Disney – og står desuden bag tech-initiativet SongHub.
Kle Savidge
Med rødder i Creation Records og en freelancekarriere siden 2000 er Kle Savidge blandt feltets mest anerkendte supervisors. Hun står bag musik til markante dokumentarer og spillefilm, herunder Netflix-serien om Victoria Beckham og den kommende film ‘My Mother’s Wedding’ med Scarlett Johansson.
Krzysztof Sulenta
Krzysztof Sulenta er Senior Music Creative hos MassiveMusic med 18+ års erfaring. Han har skabt prisvindende arbejde for brands som Netflix, Nike og Samsung og er kendt for at finde de mindre åbenlyse tracks, der løfter fortællingen uden at overdøve den.
Matias Flensborg
Matias Flensborg er en dansk music supervisor, der arbejder med film og tv og driver et sync-bureau med fokus på at eksportere ny skandinavisk musik. Han begyndte med at assistere på produktionen ‘Family Like Ours’ og har siden været music supervisor på ‘Secrets We Keep’, ‘Ingen Kære Mor’ og ‘Scooter Boys’.
Marc Tanzmann
Tysk music supervisor og leder af Sizzer’s tyske kontor. Marc Tanzmann har gennem 16 år arbejdet med brands som Heineken, KIA og Adidas og repræsenterer et prisvindende full-service music agency med over 50 internationale awards.
Matt Biffa
Emmy-vindende supervisor med 30 års erfaring. Matt Biffa står bag musikken i serier som ‘Sex Education’, ‘Hacks’ og ‘Heartstopper’ og vandt en Creative Arts Emmy for ‘I May Destroy You’. Han har desuden arbejdet på ‘Harry Potter and the Goblet of Fire’ og kurateret ikoniske øjeblikke til det store lærred.
Mikkel Maltha
Mikkel Maltha er cand.jur. fra Københavns Universitet. Han indledte sin karriere som musikjurist og music supervisor hos Zentropa i 1998, hvor han arbejdede tæt sammen med Lars von Trier på blandt andet ‘Dancer in the Dark’, ‘Melancholia’ og ‘Antichrist’. Siden har han superviseret musik på mere end 100 film- og tv-produktioner, primært inden for den skandinaviske filmbranche.
Sarah Bridge
Sarah Bridge er en prisvindende og Emmy-nomineret music supervisor inden for film og tv, kendt for ‘The Crown’ og ‘The Theory of Everything’. Hun har desuden arbejdet på projekter for Netflix, Working Title Films og Amazon og sidder i bestyrelsen for den britiske og europæiske afdeling af Guild of Music Supervisors.
Thore Garberg
Dansk-norsk supervisor og stifter af Orange Blue Supervision. Thore Garberg arbejder på tværs af Skandinavien med film, tv og reklame, herunder kampagner for IKEA og Volvo, og har superviseret spillefilm som ‘Handling the Undead’ og den danske ‘Vægtløs’.
Zoë Ellen Bryant
Med udgangspunkt i soundtracket til Baz Luhrmanns ‘Romeo + Juliet’ blev Zoë Ellen Bryant inspireret til en karriere i feltet mellem billede og lyd, og siden 2016 har hun opbygget næsten 50 credits. Hun har superviseret serier som ‘Derry Girls’ og ‘Hijack’ og er kendt for sit skarpe øre, sit rettighedsdetektivarbejde og sin kompromisløse tilgang til clearances.
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SPOT+ 2026 bliver et samlingspunkt for dem, der forstår, at den rigtige sang kan ændre alt. Så arbejder du professionelt med sync fx som musikforlægger, ansat på et pladeselskab eller manager, kan du nu ansøge om at blive del af Meet The Music Supervisors og møde de udenlandske og danske music supervisors. ANSØG HER
Meet The Music Supervisors er præsenteret af Musikforlæggerne i Danmark og støttet af Koda Kultur
